It’s Time To Silence The Voice

If you’re visiting this site for the first time, welcome. If you’ve been here before you probably know my taste in television viewing starts with live sports events and ends with live sports events. In the middle there is a mix of, among other shows, Blue Bloods, The Blacklist, Fixer Upper, Designated Survivor, and any time the Mark Wahlberg movie, Shooter comes on. I used to watch Survivor, Blindspot and Elementary but they lost me somewhere along the way. I really miss Justified, Longmire and 24.

I am, or should I say wasa fan of some of the “talent” shows that permeate network television these days. While I don’t watch America’s Got Talent, Dancing With the Stars or So You Think You Can Dance I did watch American Idol and The Voice. Obviously I don’t watch American Idol anymore and after 45 minutes last night I won’t watch The Voice again.

American Idol was a phenomenon and a huge hit for FOX. Whenever you involve votes from all across America you open yourself up for surprises but the quality of American Idol winners has been impressive, especially the first few seasons. The first Idol was Kelly Clarkson who has gone on to multiple GRAMMY wins and superstardom. She was followed by Ruben Studdard and Fantasia, not anywhere near as successful as Clarkson but both are still making music. Then season 4 brought us Carrie Underwood. After that it was hit and miss. The misses; Taylor Hicks, Kris Allen and Lee DeWyze. The hits; Jordin Sparks, David Cook, Philip Phillips and Scotty McCreery. I admit the last four seasons of American Idol were basically unwatchable and the winners unremarkable but in my mind that’s because the judges were marginal at best. American Idol was at its best when Paula Abdul, Randy Jackson and especially Simon Cowell sat behind the desk. They were great judges because the actually judged. Cowell, in particular, pulled no punches and in my opinion the artists were better for it. American Idol, at least in its first 10 years, actually fulfilled its promise of trying to find the most talented performers in the competition. While the judges were always talked about, the show wasn’t about them. That’s precisely the problem with The Voice.

Copying Fox to some extent, NBC came up with its own singing competition with the premiere of The Voice in 2011. I watched. I watched then and I continued to watch until about 10:15 PM ET last night. No more for me, please and here’s why. The show is not a showcase for contestants; it’s a platform for the celebrity coaches. I can tell you who won that first season, it was Javier Colon, but the only reason I know that is because he plays golf and in 2011 was playing in a Celebrity Pro-Am I produced for The Golf Channel. If you put a gun to my head I couldn’t tell you any other winner of The Voice and I watched the show! I can tell you that Adam Levine and Blake Shelton have a bit of a bromance and a friendly rivalry. I can say with certainty that Miley Cyrus, Pharrell, Christina Aguliera and Gwen Stefani have interesting wardrobes. I know for a fact that Blake points his finger in a funny way when he wants a performer to “pick” him as a coach. And I can honestly say I have never heard any of the “coaches” say one bad word about any single performance on the show.

Where The Voice succeeds is in its earliest episodes, The Blind Auditions. This has become the only part of the show that is remotely interesting. With their backs to the stage, the four coaches are judges listening to the singers and deciding whether to push the button that turns the chair allowing them to compete for the chance to mentor the performer. Sadly this part of the procedure only lasts a couple of weeks. Then the show spirals downward into a series of nonsensical mini-competitions called The Battle Rounds and The Knockout rounds and the Battle/Knockout rounds where the best of the rest don’t really get eliminated thanks to gimmicky “steals”. Through it all the coaches remain the stars of the show as Adam ribs Blake, Blake returns fire giving Adam crap, Miley Cyrus (or Gwen or Christina) sit there looking goofy and Alicia Keys (or Pharrell) wax philosophical. It’s all so damn predictable.

Through the course of several weeks the competitors get whittled down thanks to texts, online votes and iTunes sales until we inevitably and mercifully get to the FINALS. Five hours of programming over two nights to come to a conclusion that anyone who checked the iTunes store already knew. Through it all we were subjected to SNL lite skits featuring the coaches (who else), performances featuring the finalists with their coaches, and mind-numbingly unproductive reviews of the singers from the coaches. My wife and I watched the first two hours on Monday night. We liked Josh. He had a good original song, a nice performance of Jack and Diane and a painful duet with Adam singing Smooth. We were curious about who would win the title and watched the next night to find out. We didn’t make it.

Thinking we (I promise not to speak for all of America) were dying for three hours of Carson Daly introducing acts NBC and the producers of The Voice gave us (and all of America) exactly that. From Stevie Wonder to The Weeknd to Bruno Mars to Kelly Clarkson to John Legend to Sting to KISS my wife watched and I suffered through the finale. I gave up for good when, for reasons I simply can’t fathom, the show insisted on continuing the long-standing decision to “bring back” singers who failed to perform with the four who succeeded. There’s a reason these poor souls got the boot and to pair them once again with the people who can actually sing only underscores the rationale why these knuckleheads were dismissed in the first place. I went to bed. My better half tried to muddle through but joined me a few minutes later. Bottom line, I don’t need three hours to tell me what I can find out thanks to the internet. An hour would do just fine, include some performances, eliminate others and tell me who won. Good TV.

I woke up this morning to discover the guys we liked, Josh, finished fourth. The teenage girl who talks like Minnie Mouse and sang like Tracey Chapman finished third. The all grown up child star finished runner-up failing to follow in the footsteps of the all grown up child star that apparently won the whole thing last year (these people should not be allowed to compete). That meant Sundance Head is this half season’s The Voice. Sundance Head who competed on American Idol nine years ago becomes the next nobody. But mark my words they’ll no doubt kick off next season on The Voice, which probably starts in two weeks, with a “comic sketch” featuring Blake Shelton and his five trophies. And they will do that with one less viewer.




About Keith Hirshland

My name is Keith Hirshland and I am a four decades television veteran who has spent time both in front of and behind the camera. During nearly forty years in broadcasting my path has crossed in front of, behind and alongside some of the best in the business... And some of the worst. Many of those people I count as friends while others wouldn't make the effort to spit on me if I was on fire. This television life started early watching my Mom and Dad found, fund and run a local affiliate TV station in Reno, Nevada. As a teenager approaching adulthood I worked for them, first as an on-air sports reporter/anchor and later as a director and producer. Jobs in the industry took me across the country and then to many places around the world. Sports is my passion and putting it on TV has been my business. Production credits include auto racing, baseball, basketball, bowling, college football, field hockey, soccer, volleyball and water polo but the majority of my time "in the chair" since 1990 has been invested in the game of golf with both ESPN and The Golf. Channel ( I was one of the first forty people hired by TGC in 1994 ). I am a fan and I watch TV sports as a fan but I also have hundreds of thousands of hours watching from inside a production truck. I think that makes me qualified to comment, my hope is you agree. I have written four books, Cover Me Boys, I'm Going In (Tales of the Tube from a Broadcast Brat), a memoir that is a tribute to my parents, the hard working, creative people who started ESPN2 and The Golf Channel and a look back at my life in television. Cover Me Boys was awarded the “Memoir of the Year” in 2017 by Book Talk Radio Club. In February of 2019 it was released anew by Beacon Publishing Group. My second book is a novel, Big Flies, and is a mystery that tells the story of a father and a son with four of the world's most notorious unsolved robberies as a backdrop. Big Flies was named “Solo Medalist” in the True Crime category by New Apple Awards. My third book, another mystery titled The Flower Girl Murder, was published in 2018. Book number four might be the most fun I ever had on a writing project. Murphy Murphy and the Case of Serious Crisis is a mystery, a love story, and an homage to good grammar. It is both the Book Talk Radio Club BOOK OF THE YEAR for 202 and a TopShelf Awards first prize winner in the mystery category. All four are available at Amazon. Book five is in the capable hands of the good people at Beacon Publishing Group and should be available soon. I look forward to sharing new thoughts about golf, golf television, sports in general and the broadcast industry with you. The views expressed here are mine and mine alone. They are not connected to nor endorsed by any other person, association, company or organization.
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1 Response to It’s Time To Silence The Voice

  1. nancyb422 says:

    My viewing experience exactly! I’ve tried hard to like it – watched this season only for Miley Cyrus (yes, 56 years old and I love Miley). I lasted until the end of the knockout (?) round. Caught some of the finals but was disappointed that Billy Gilman (the former child star) didn’t win. I’ve always had a soft spot in my heart for him.

    Liked by 1 person

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